Showing posts with label rolling stones. Show all posts
Showing posts with label rolling stones. Show all posts

Saturday, September 29, 2018

Old Hippies


I have a certain fascination with the hippie era. Not as in, I wish I had been there, but more as an entomological study. On the Midwestern prairie we had no Summer of Love. We had a summer of working, a summer of riding bicycles and pressing transistor radios to our ears; a summer of stretching the coiled cord of the kitchen wall phone all the way around the corner into the hall so we could have private conversations.

The war was, of course, on everyone's mind, but more urgently than college kids who had deferments and spent their lunch periods carrying signs. To my big brother the war wasn't abstract -- he had to worry if his number was going to be pulled out of the big bingo jar and if he was going to die in a rice paddy. Working class boys didn't have a lot of options. They could flee to Canada or they could join the National Guard, which is what my brother did. My brother was hardly the military type, but he ultimately did his civic duty...and he stayed alive. Meanwhile, boys with wispy goatees in San Francisco twirled around in tie-dyed tee shirts.

I was twelve that summer. On TV I saw mystified CBS News reporters chronicling the Haight-Ashbury scene. All the characters looked like dizzy dorks. I especially loved the dance of the scarves, which was a classic. One could not flip the television dial without glimpsing some barefoot bra-less chick whirling on a hillside with a multi-hued scarf. So profound!

Old hippies probably don't grasp this, but we didn't envy them. We thought they were imbeciles.

Fifty-odd years later, I wonder how many of them have managed to maneuver life with all their brain cells intact. They'd be -- well, past retirement age. Do they entertain their grandkids with tales of past acid trips? Did some get elected to congress? (yes) Did they at some point learn to appreciate the joy of bar soap and penicillin?

Sage Midwesterners always knew that life was life, and there was no escaping it. My brother didn't "drop out", and I didn't, either. We didn't have that luxury.

Marty Balin died this week. He was a founding member of Jefferson Airplane, a band that encapsulated the summer of love. Reading about him, I learned that he was a pretty good guy, but that band epitomized everything I hated about the times.



Marty solo:


In my town we weren't listening to Jefferson Airplane. This is what we were tuning in to on our local radio station:












And especially this:


See? We were hip, too.

And we still possess all our brain cells.




Tuesday, May 31, 2016

1966 ~ Even More Music!


I was going to make this post about the bad hits of 1966. Well, not "bad", per se, but let's say "quirky" hits. Hits that don't really jibe with the 1966 vibe. The trouble is, I'm not done with the best ones yet; there are just too many. Maybe 1966 was better than my cloudy mind remembered.

I had one birthday party in my whole life. Yes, that's right. Kids were deprived back then. I invited every kid in my class, plus my cousins and of course my best friend, who didn't go to the same school as I. This next song created a bit of a tiff between my best friend and another friend from school (I really only had one "true" friend, but this was, I guess a friend-in-waiting, in case the main friend was unable to fulfill her duties.) Anyway, I had asked for a couple of 45's and when I opened this one from friend-in-waiting, I exclaimed, "Just what I wanted!" Well, this did not go over well with best friend, who complained, "I thought you wanted....". Despite hard feelings, I still love this song:


(Yes, Bill Medley had a career even before "Dirty Dancing".)

Another major milestone in my life was the appearance (on NBC) of this phenomenon. By then my family had moved to a new town and I was lonely. So these four became my confidants, unbeknownst to them. My husband and I watched an episode of their show recently and let me tell, you, it was truly awful. In 1966 I didn't care, though. I really only watched it for the music:




I wasn't cool back then. Part of it was because I was a kid. Partially it was because I didn't have enough money to be cool. I had a paltry record collection -- and by "record collection", I mean 45's. My brother had LP's; I only had about two LP's and that was because he bought them for me as gifts. So I didn't have the opportunity to become a sophisticated music connoisuer. One of the LP's my brother bought me, though, had this song on it, and it was sophisticated...well, more so than the Monkees:


The Mamas & The Papas boasted two things that no other group of that time can claim:  two of the best pop singers ever ~ Denny Doherty and Cass Elliot. (The third thing they probably wouldn't "boast" about is that -- I suspect -- Michelle Phillips' mic was always on the "off position.) Oh, and duh, John Phillips wrote the songs (hello!)

I always liked this next song when it came on our kitchen radio. I had absolutely no idea what it meant -- I didn't know why somebody had to stone somebody else. It seemed mean. But I guess that's what packed a punch for me; that and the sort of old-time raggedy piano.


My husband worships Bob Dylan like I worship Merle Haggard. But at least Merle had more than two hit songs. I know, intellectually, that Dylan is a great writer. We were watching a PBS special on the history of Duluth, Minnesota, and the narrator quoted some words about the city. I thought, wow, that says it so poetically. Then she said, "words written by Bob Dylan". So, yea, he can say things better than almost anybody. I give him that.

You know those groups that were always around but never got any respect? Well, here's one now. I think it's because their songs were so....rudimentary? But in 1966 - 1967 hardly anyone was bigger than Tommy James & The Shondells. Ever go to a bar with a juke box or to a wedding dance and not hear "Mony Mony"? I thought not. How about, "crimson and clover over and over"? Yea, so see? Tommy James was the master of repeating the same three or four words over and over and making them a hit. Thus:


Another artist my husband worships is another that I can take or leave. Sure, in 1965 this band had a huge hit song that was famous for its opening guitar riff. But I can count on one hand and have fingers left over, the number of Rolling Stones tracks I truly like. Sorry; that's just how it is. I like Ruby Tuesday and As Tears Go By. This one is...okay:


There's a reason I'm not including a live performance of this next song. There's just something about a seventy-year-old guy singing, "Devil With The Blue Dress". No offense to old dudes; I, too, am old. But you don't mess with my memories. Trust me on this: one could really do the jerk to this song, especially in front of the mirror. Here's Mitch Ryder and the Detroit Wheels:


 I defy anyone to say this is not a great song. I have no idea who comprised the Left Banke; I really should research that one day. This is probably the worst quality video I've ever featured, and it cuts off before the end, but I work with what I've got. "Walk Away Renee":



Some 45's had special sleeves -- not the ones with the cutout in the middle, but ones with real technicolor photographs. I had one of those. It was for "Back In My Arms Again" and it featured three women in elegant long gowns. Kind of like this:


The Supremes had a relatively short shelf-life, but they were huge in their time. This song certainly wasn't my favorite of theirs, but 1966 is what 1966 is. 1964 to 1966 was The Supremes' two-year reign. After that, it all looked kind of irrelevant, like they were trying too hard.

The Turtles hadn't quite hit their stride yet in 1966. That would come a year later with a song that will live forever in the minds of Ferris Bueller fans and in the minds of people like me. I could never quite get a handle on the Turtles. They were like the IT guys in your company; the guys you call when something isn't functioning right, and they pick up the phone if they're not too engrossed in their video game. Then, at the Christmas party, they blow you away with their previously undisclosed awesomeness. That, in essence, is the Turtles.


I think (think!) I have exhausted the best of the best of 1966.

Next time, the quirky.







 







 



Saturday, January 21, 2012

Yea, Yea, The Summer of Love


I wonder who named 1967 "The Summer of Love". Obviously not a marketing person. Because if you're going to declare something the "Summer of....", you want to have that commercial tie-in.

For example, how about "The Summer of Kraft Macaroni & Cheese"?

You could give away wedge-shaped key chains; bumper stickers featuring globs of macaroni clinging together on a fork. You know. Marketing-type stuff.

From what I can tell, the Summer of Love really had no commercial potential, except for Bill Graham of the Fillmore West, who could tout his acts, the Jefferson Airplane and well, I guess that's just about it, on handbills, of which nobody could read, because all the kids were too stoned, and were just wandering aimlessly on the streets of San Fran, and playbills weren't really anything they could hawk to buy more drugs, so what good were they?

I sometimes wonder what happened to those kids from 1967? I guess they'd be retiring about now, but oh, the stories they can tell their grandchildren. Oh wait, maybe not.

"What did you do when you were a kid, Grandpa?"

"Oh, Thad, that's not important now. What's really important is that we get out there and vote for Obama! Wanna toke?"

If you watch newsreels from 1967, you would get the impression that everything was groovy, and kind of wavy, but the hit songs from that year don't necessarily reflect that.

But, you know, memory is selective.

1967, actually, was a pretty good year for rock music. Not to disappoint the old hippies, but most of it was pure pop.

While the kids on Haight Ashbury were zoning out, chillin' to seven and a half minute psych-o-delic jams, the rest of the population was buying 45-rpm records of songs such as this (yes, this was the number one hit of 1967):



(Kudos, Neil Diamond. Jan Wenner can ignore you all he wants, but this was the perfect pop song.)

I'm just going to go down the line here, and recount the top hits from that seminal year, in order, so let's see who wins ~ the hippie kids or possibly not.



(I always loved this song. Lulu; she never had another hit, but she was in a movie with Sidney Poitier, so she can be an American Idol mentor if she wants. Yea, yea, Petula Clark, sure. She had some hits. But was she in a movie with Sidney Poitier? Tough luck, Petunia ~ sorry, Petula.)



(Isn't Alex Chilton the epitome of every sixteen-year-old from time immemorial? Get that hair out of your eyes! And stop sulking, Alex! Stop being so moody! Ahh, the joys of raising a teenaged male. At least Alex was bringing home some moolah for the family, so they tended to overlook the bad posture and pouty look.)



(I know that this song is "mysterious"; or, in my opinion, "missing something". I used to sit in the back seat of the Ford Galaxy and hear this song blaring over the AM radio, and wonder, what the hell? But the main point I want to make about Bobbie Gentry is that she wore her hair in that long, dark "fall". Mesmerizing.)



(Let me just say how much I hated, and still hate, this song. I'll grant you, the Association had one good song ~ Never My Love ~ but this? It just grates on my nerves. No wonder kids took drugs. If I was on a desert island, and this was the only song I had to listen to, I would prefer to just drown myself and get it over with.)



(Ahhh, Felix. This song will still be played in the year 2112, and kids will say, yes! This song is cool! Really, was it from two centuries ago? I guess those neanderthals invented fire, after all.)

And speaking of fire, okay, I skipped the line a couple of songs, but well, c'mon:



(THIS was the song that I will always remember 1967 for. I was but twelve years old, and I don't know what it was about this song, and about Jim Morrison, but this was IT.)

Believe it or not, and the charts don't lie, THIS song superseded Light My Fire, by, in fact, a couple of spaces. So, though Grandpa Hipster may want entertain selective memory (or is it just dementia?), here ya go, Grandpa. Explain THIS to the grandkids:



Oh, look! The Monkees are back! Yes, the Monkees. Sure, pretend they weren't the biggest thing that happened in 1967. Pretend all you want. I was there. I remember.



I have nothing against Ferris Bueller (or John Hughes, for that matter), but you know, you didn't invent that song.

I happened to be there when it was happening.



Remember the Beatles? (ha)

Yes, they charted in 1967, too. Not with their choicest song, mind you. But, yes, they were still around.



The interesting thing (to me) about this song, by the Buckinghams, is that I have no idea what the backing singers are singing. But it's catchy, whatever it is.



You'd never know it, but this song was number thirteen in the year 1967. Yes, thirteen. Not that there's anything wrong with thirteen, but if you were to listen to the revisionists, you'd think this was the number one song of all time. It wasn't.



Okay, this video is horrendous, but it's the only one I could find of the Strawberry Alarm Clock performing this song.

And I'm officially nominating the Strawberry Alarm Clock for the worst band name ever.

I wonder whatever happened to the SAC. And who was in the band? And did any of them go on to bigger and better things? I wish I cared enough to look that up, but it's late, and all I know is, I heard this song a lot on my transistor radio as I was riding the stupid school bus, and listening to all the geeky boys talk about Star Trek, and I was bored out of my mind, and this song didn't help things, believe me. I do sort of remember 1967 as the year of perpetual boredom. But maybe that was just me.



I'll end this post with number fifteen.

And who could forget the Rolling Stones? Nobody. Because they're still out there, touring. Even at their age. Those kids from the year 2167 will be saying, "The Stones are still touring? Who do they think they are? Cher? Or Elton John?"

Nevertheless, you can't deny that this song, the number fifteen hit of 1967, is a great one.


In all candor, 1967 was a damn good year for music. I'll give it that.

But it's not due to some headband-wearing, greasy-haired, Nehru-jacketed seventeen-year-old who was tripping out on the California coast.

No, it was solely due to some awesome talent, and to some record producers who knew how to create mega-hits (Frank and Nancy notwithstanding).

I got through number fifteen, but I really only scratched the surface.

This calls for another blog post! Let's keep keepin' on with hits from the summer of love!

But I still say, let's rename it something that we, as consumers, can get behind. I'm thinking the Summer of Trix Cereal.

Because, Silly Rabbit. Trix are for kids. Moron.