Showing posts with label highway 101. Show all posts
Showing posts with label highway 101. Show all posts

Sunday, July 2, 2017

1989 In Country Music Was Damn Good


Sometimes I wonder if my life can be measured by the jobs I've held. I sincerely hope that's not true. But when I think back to 1989, I remember my work life being in flux. I'd left eight comfortable years of being the girl behind the desk on the medical floor of our local hospital, and I distinctly remember why I left. Monday evenings were a flurry of activity on the medical floor. Folks who'd been sick all weekend, but who'd told themselves, just hold on -- maybe I'll be better by Monday -- had finally given in and made an appointment to visit their personal physician, and found out, why yes, I really am sick! Sick enough to be admitted to the hospital, in fact. Thus, admissions came fast and furious on late Monday afternoons. The medical floor had three wings. One was for telemetry (heart) patients, and the other two -- Central and West -- were for general illness. I juggled admissions as best I could between the available wings. The nurses were sorely overworked and I endeavored to rotate new patients so none of the RN's and LPN's became overwhelmed. Sometimes that was an impossible task. I guess my final room assignment was the last straw for one of the RN's who I'd considered a friend. She took a moment out of her whir of vitals and wheelchairs and sputum cups to voice her displeasure. Essentially, her position was that I was deliberately tormenting her and she was disappointed and disillusioned with me. I don't think I said a word in response; I just stared at her, feeling like a bug she keenly wanted to stomp beneath her white oxfords. She and I had shared breaks -- sat in the nurses' lounge and smoked our cigarettes on moonless nights -- laughed together about goofy goings-on in the Pharmacy Department; shared anecdotes about our kids. And now she hated me. I left the hospital at the end of my shift and went home to my torture chamber bed and tossed and scrunched around most of the night. I felt unjustly accused. I had simply done my job the best I could, in impossible circumstances.

The next day I scanned the hospital bulletin board for open positions and promptly applied for one in the Admissions Department. I was hired in a flash. The medical center had a policy of filling jobs from within. Thus, I sat in a high-backed chair in an office with three open-air slots, evening after evening, right next to the switchboard operator's glass-encased cubicle, and awaited new "check-ins". Every department within the facility had its specific wardrobe requirements, so I switched from navy blue polyester uniforms to some kind of baby blue stiff starched linen. I guess that was how one could be readily identified -- slotted in, as it were. I hated registering new patients. I felt clumsy and asked the wrong questions or inevitably forgot to check a specific box on the admission form. I couldn't remember which forms I was supposed to stamp beneath the heavy iron contraption, and creating the little plastic identification cards with a "C" for Catholic and remembering to include the "Mrs." before Verna Schuffeltd's name seemed beyond my brain's capacity. The truth was, I simply hated my new job. I missed knowing what I was doing; missed the breezy efficiency with which I'd whipped out lab orders and missed the nurses I'd come to know so intimately. I hated the stilted quiet of the admissions office and longed for the familiar cacophony of real life.

I lasted a week or so in my new position, and then I lied and told my new supervisor some tale about how the schedule wasn't working for my family.

If I hadn't been shot through the heart, maybe I'd still be at that hospital today. I'd be the elderly gray-stranded woman everyone allows to cut in front of them in the cafeteria line, because, you know, she reminds me of my grandma!

I padded across the sliding-door threshold of the hospital one final time. I had no plan. I had no options.

In my small town, the newspaper's want ads for "clerical work" encompassed a line space approximately the width of my thumb. I innocently assumed I could always get a job with the State Government -- my fallback. I'd begun my "career" working for the State, and trust me, they'd hire practically anyone they could confirm was actually drawing breath. And I sort of did get hired by the State, but it was a downtown (not at the State Capitol) temporary part-time job as a receptionist for the Teachers Retirement Fund. My duties consisted of passing out mail and typing occasional letters on an IBM Selectric with a correctable ribbon. No more Wite-Out for me! No sirreee! I worked from eight a.m. to noon and couldn't wait to escape that soul-sucking receptionist's desk when the big hand clicked on the twelve. Between mail delivery and the two letters per day I was required to type, I had approximately three hours of non-productive time. I don't recall how I filled those hours -- I'll guess by jamming a Kleenex between the numbers on the switchboard and whisking away the dust. If one wants to achieve invisibility, she should get a job as a receptionist. Most of the staff to which I delivered mail rarely bothered to show up for work, so I had no clue what they actually looked like. They were simply names on a business-sized envelope. Thus, I was taken aback when I finally found what I thought would be a better position -- and full-time! -- and hovered in the doorway of my anonymous supervisor's office to give my notice, and this woman, Mary Smith (as far as I was concerned) expressed dismay and told me they'd been thinking of offering me a permanent full-time position. What? And why? I only had fifteen minutes worth of work to do in the first place. But who knows? If I'd hung around, maybe I'd be the soon-to-retire director of that God-awful place today. I honestly still don't know what they actually did there.

I saw an ad in the newspaper for a medical transcriptionist. No, technically I'd never transcribed medical records, but I did know medical terminology and I certainly knew how to type. Voila, I was hired. This job did not work out well. The owner assured me that a "transcribing machine" was on order and I would settle into my new position just as soon as it arrived. In 1989, a transcribing machine was a 21-inch television-sized word processor. I don't know what was packed inside that behemoth, but knowing technology as I do today, I'm guessing it was a pile of lead plates that served no discernible purpose other than to make the contraption a hernia-inducing heave up a flight of stairs for two unfortunate delivery persons.  Alas, the transcribing machine was a mirage. I sorted mail (yep!) for months into individual slots, drank gallons of coffee, drove to the McDonald's window for a hamburger every day at twelve, came back and tossled envelopes around for a few more hours before checking out and heading home. I know transcribing machines actually existed, because the company had two busily-finger-tapping transcriptionists I envied daily for the fact that they actually had something to do. The highlight of that position was the company's annual trip to Kansas City for, I guess, a transcribing convention. I boarded the plane to KC with the two actual typists and proceeded to get sloshed. Once there, after our sirloin steak dinner, one of the girls (I'll call her "Jill" because I have absolutely no recollection of her actual name) cornered the company's CEO and vented all her frustrations about our boss. Jill then pointed to me and promised I could vouch for everything she was saying. I think I drunkenly muttered something about "not getting my machine". The next day we flew home. Come Monday, each of the three of us typists got called in separately to the boss's office to discuss our Kansas City faux paus. When it was my turn, the office maven asked me if I was dissatisfied there. I piped up that I still hadn't gotten "my machine". "I told you it's on order!" she huffed. "Well, it has been six months," I responded timidly. She then asked me if I wanted to retain my employment with the company. "Well....no," I said. And thus I tromped down the stairway and out the front door. That was the last day I had a single burger and a small fry for lunch from McDonald's.

My job prospects were dire. My family was incomprehensibly understanding. If I'd been a bystander, I wouldn't have been so patient. I compare the employment opportunities at that time to a choice between three entrees that are all putrid -- let's say, liver, seared cow brains, and boiled chicken hearts. Hmmm, what to choose? Okay, I'll take the liver. Maybe I can at least choke that down. Before long, I found a posting for a "Farm Records Secretary". I had no idea what that was, but I understood the three words, singly. I figured stringing the words together would produce a job I could perform, albeit begrudgingly. The Farm Credit office was located on the far edge of a different city from the one in which I resided, but there really was no such thing as "traffic" -- the interstate highway was clear and the morning drive was rather lovely. I could zone out and listen to the radio as the sun rose behind me. I did have a bias against the word, "secretary", since in my experience, secretary meant shuttling a mug of coffee to a man who didn't take the trouble to glance up from his paperwork and make eye contact. Fortunately, my new boss wasn't a man, but a woman who didn't take the trouble to glance up from her paperwork and make eye contact. She was prim. And awkward. Conversation didn't come easily to her. She'd migrated years before from someplace like Oklahoma and hadn't yet lost her Okie accent. Transcribing her recorded correspondence was a challenge. At first I would ask her to clarify a word, but later, finding our interactions less than scintillating, I simply typed the word that seemed to fit best. The previous secretary, who had recently been promoted, trained me, and she was impatient. She kindly ignored me when not giving orders. I didn't like her...at all. In a couple of months, we would become the best of friends. I'm not sure how things like that happen. Maybe we had a common enemy....Mrs. Park. I spent half of 1988 and the entirety of 1989 doing my farm secretary duties. One winter morn, as I endeavored to cajole my rear-wheel drive Ford up the steep hill to the FCS office, I found myself sliding backwards. I flipped the butt of the car into a roadside snowbank and tried again...and again. We'd had a rare freezing rain storm and I was not a well-lit bulb. After about fifteen minutes of fruitlessly trying to push up the hill, I gave up and backed/slid down to the intersection, parked and found a nearby telephone. I called up the guy whose office abutted my receptionist desk -- an older guy who spent his days jawing with ranchers -- kind of a dad-like prince of a man. He soldiered out to where I sat shivering in my Taurus and loaded me in his pickup and shuttled us to the office. As much as may hate our circumstances, there are always angels. Farm Credit Services was full to the brim with nice, nice people. Had it not been for Mrs. Hateful, I might have stayed. But I was basically miserable.

Thus, the music of 1989 was my salve. The Dakota Lounge was full of sawdust and regional bands and a loud juke box. Fridays and sometimes Saturday nights we ventured there, and here are the songs I remember:






 
 



I wonder if this was the number one country single of 1989. I'm going to guess yes:


I haven't left out the king. I wanted to give him a special place of honor, because in 1989 he released one of his top two best albums, "Beyond The Blue Neon"





Ahh, 1989 in country music was damn good.


Saturday, June 13, 2015

No Women On The Radio!

Some guy, apparently a "programming consultant", recently made waves when he proclaimed that if one wants to build a successful radio station, one needs to stop playing women, dammit!


 Naturally that got some feathers ruffled (ooh, is that sexist? I guess male chickens have feathers, too.) But aside from the predictable outrage, this man's proclamation is just asinine. Is he at all familiar with country music?

Now, I'm not really "hip" to the latest in country warblings - my husband flipped the channel to the CMT Music Awards the other night, and I didn't recognize anyone except the two guys from the TV show, Nashville, and Reba. And I still don't know who the dude was who was dressed as a hospital orderly. But I do know the history of country music - the soul of country music. And you and I can thank the women for that soul. Need I remind everybody?


Oh, wait:


Did you forget:


What a wimp:


Oh, I forgot:


What?


Damn those women singers!


Demure:


 Ridiculous to think that women could...


OMG, not two women!


Scandalous!



 
Okay!


I still remember this:


Well, I could go on...and on...but you get my drift.

So, radio programmer guy, I think you know where you can stick your "bro" records. You can stick 'em on the turntable, if you want, but c'mon. Let's not pretend.

 

 




Saturday, March 23, 2013

I Want My CMT






Well, here's the deal:  I was completely enamored of MTV in the 1980's.  Sure, one wouldn't call the music "rock"; more like rock-pop or something; but it was GOOD.

The one and only reason I switched back to country music was because I happened to flip my radio dial one day, while waiting in my car for my kids to be dismissed from school; and I heard a song by somebody named "George Strait".  I said to myself, well, that sounds good!  Maybe I've been missing out on something, lo these five or six years that I've been away from country music.  (Isn't it just like music to flip on you when you least expect it?  And suddenly become good, when you turned away from it because it was so putrid?)

After hearing a song by this "George Strait" guy, I chanced to give country music another go.  I honestly had never heard of any of these artists that were suddenly wafting out of my speakers.

The first cassette tape (remember those?) I purchased was by somebody who called themselves the Sweethearts of the Rodeo.



I carried my boom box around while pseudo-cleaning my house, and I played that tape endlessly.  Why I had glommed on to this particular group, I don't know.  I know that I was reticent to embrace George Strait, because my mom and dad thought he was so good, and I wasn't about to bow to Mom and Dad's whims.  While I was visiting them one evening, they popped in a VHS tape of a George Strait live concert, and I watched it half-hardheartedly between snippets of conversation, and I still didn't get it.  Or chose NOT to get it.  I came late to the George Strait party, but when I finally climbed aboard, I turned into a giggly adolescent girl; devouring anything and everything that had the Strait name attached.

Meanwhile, though, there was this other guy, who had sort of a nasally sound, but, boy!  Those guitars sure rang!  This was like Buck Owens and the Buckaroos on steroids.



FULL DISCLOSURE:  Even better than George Strait!

This was a weird time in music for me.  Number one, aside from SOTR (or, Sweethearts of the Rodeo), everybody I liked was male.  I'd come of age during the time of Loretta Lynn and Tammy Wynette and Lynn Anderson; but no girl singers (except for one) were even a blip on my country music radar.  What had happened since I'd been away? 

But when the girls were good, they were good:



I sat behind my steering wheel, parked in front of my kids' elementary school, when this song accosted me from my radio speaker.  The first time I heard it, I believe I actually swooned.  I simply wanted to hear it again...and again; but I had to wait for the damn album (or by this time, CD) to be released before I could listen to it as many times as I needed (George never made a music video for this song ~ huge mistake):



(Admittedly, that song wasn't from the eighties, but I just wanted to include it.)

This song, too, had no official music video, but wow ~ what a great song!



Speaking of George (again), and speaking of swooning, well, here I went again:



And, again, there was Dwight:



But it wasn't all George and Dwight.  It was Clint:



It was Randy:



And did I forget some girl singers?  Apparently!



Some guy I'd never heard of before recorded an album of songs that took the 1989 CMA award for album of the year, and I knelt in front of my TV that night; cheering him on:



Sitting at a table at the Dakota Lounge one Saturday night, this new guy managed to strangle my heart strings with this:



Another really great song to two-step to was this, by Steve Earle:



"Got a two-pack habit and a motel tan" ~ I so admire great lyric writers.  FOUR STARS on this song!

Country music in the eighties wasn't all George and Dwight and Randy and Clint; however.  I want to also feature some of my favorite eighties country by some artists that might not readily spring to mind when we think about that decade:

Foster and Lloyd:



Rosanne Cash:



Singing background vocals on Roseanne's song segues us into Vince Gill:



Singing background vocals on Vince's song leads us to Patty Loveless:



Singing background on nobody's here-to-fore mentioned songs, and unfortunately a video with poor sound quality (but I wanted to include it, just because), here is Steve Wariner:



(For unknown reasons, in the days when I went out dancing on a Saturday night, whenever the band played the part in "Lynda" that went, "I woke up screaming this morning", all the patrons were apparently obliged to scream.  Naturally, I abstained.)

Speaking of live music and dancing, this next song is essentially impossible to dance to.  I'm thinking it's because the tempo changes between the intro and the rest of the song; and then back again.  If you want to look really foolish out on the dance floor, try dancing to the Nitty Gritty Dirt Band and this:



Like Patty Loveless, Kathy Mattea has a great voice, and I love this song:



Please don't forget Restless Heart (another song I love):



I have no doubt forgotten to include some artists.  After all, it was more than 20 years ago (really?)

You can shoot me now, but I just never was a big Garth Brooks fan.  I certainly didn't hate him; I was simply ambivalent.  That is why I have not included any Garth Brooks videos.  Feel free to hum, "If Tomorrow Never Comes". 

I do believe I have made my point, however.  The 1980's were the prime time for country music; and alas, it will never be the same again.  I don't begrudge anyone their taste in music.  I like a ton of stuff that would cause people to scratch their heads.  That's why we're called "individuals".  For me, however, I choose not to listen to "today's country".  But who knows?  If a Randy or an Alan or a Rodney comes around again, and shakes things up, chances are I would be right back listening to radio again.  Luckily, in the absence of that, I have music videos.



























Wednesday, September 28, 2011

The Singer-Songwriter Series ~ Episode 2


Do you know Rodney Crowell? Well, you damn sure should.

This guy is like some kind of savant. Which just proves my point; it's nature; not nurture.

I read Chinaberry Sidewalks, and I unequivocally recommend it! But how this guy, with this kind of childhood, became Rodney Crowell (okay, he always was Rodney Crowell, but you know what I mean) is utterly fascinating.

The first time I even became aware of Rodney was through Emmylou Harris's album, Elite Hotel. To wit:



And then this guy's name kept coming up.

Like here:



And again, here:



Here, too:



And here, he popped up again!



But it really wasn't until 1988 that it began to sink in for me who Rodney Crowell really was. That's because my radio started playing songs such as these:





And these:





And, Lord, this one:



Do you remember when you got your first CD player? After all those years of messing around with LP's? And all the cursing and hair-pulling that went along with them?

Well, I do.

I guess that dates me, but so be it. I vaguely recall buying a CD player, but I distinctly recall getting a gift certificate from my sister for a free CD, and this is the one I bought (my very first CD):



Ah, Rodney. You hold an honored place in my memory of all things consequential, from buying the album, Elite Hotel, to buying my first ever CD.

That CD also had this one:



And now I don't even play CD's. Well, that shows you how time marches on. But that doesn't negate the fact that you have garnered an honored place in the history of my life.

But, CD players aside, Rodney kept keeping on.

I don't know how Rodney manages to break hearts, but he does.



THIS is what sets country apart. I don't really care if you like or don't like country music. Maybe it's too real for most people to handle. I don't know. But you know, life happens, whether one wants to deny it or not.

And it takes nothing less than a genius to deliver that to us.

Much like this:



And, finally, say what you will about Tim McGraw, but he knows how to pick good songs. This song is ultimately heartrending, as are the comments on the YouTube page. THIS is what makes a great songwriter. The comments on this page.



You really need to get to know Rodney Crowell.

Friday, June 5, 2009

Essential Country Albums

I find ideas in the strangest places. I went to Amazon, with the sole purpose of leaving a book review, and then I thought, oh, why bother? I thought, what if the author reads it, and her feelings are hurt? What's the point?

Anyway, the page I was on had some discussions about country music, and you know how I like a good country music discussion. One of the questions was:

"What are the first 10 CD's that are a 'must own' for anyone just starting a country music collection?"


The author went on to say that some of the artists he likes are Merle Haggard, Hank Williams, and Waylon Jennings (a pertinent point to include, since country music to me could mean something completely different to someone else).

So, I started thinking about my favorite country music albums.

The problem with country albums, as opposed to rock, is that back in the day, albums were basically a means of promoting the hit single, and the rest of the tracks were afterthoughts (a lot of filler; usually a bunch of cover songs). Sadly.

So, overall, a new country listener would be well advised to go for the "greatest hits" packages.

As time went on, and country was dragged kicking and screaming into the 20th century, some of that began to change, happily.

Thence (thence?) I started to browse through my music collection, and surprisingly, I realized that ten albums is very limiting.

I've got way more than ten that fit the parameters of the author's question. But I'll stop with ten this time, and maybe do a Part Two later.

So, in no particular order, because I'm really too lazy to try to rank them, here's Part One:

The Carnegie Hall Concert - Buck Owens & The Buckaroos

Recorded live, back in the sixties, this album has the joy and the excitement that only a live recording can convey.

You'll hear the best versions of some of Buck's greatest hits, particularly because Don Rich is singing harmony, whereas, in the studio recordings, Buck tended to sing harmony with himself much of the time, and Don Rich adds a real vibrancy to the songs.

You'll get little snippets (medleys) of some of Buck's perhaps lesser-known songs, which will make you want to get the original recordings, just to hear these songs in their entirety. Songs such as, "Don't Let Her Know" and "Excuse Me (I Think I've Got a Heartache)".

Plus, you'll hear a kick-ass version of "Buckaroo".

Love In The Hot Afternoon - Gene Watson

This is the album that introduced us to the voice that is Gene Watson.

While it doesn't include "Farewell Party" (download this as an mp3), this is an album I listened to over and over when it was released in 1975.

I thought, hey, this new guy has quite a voice! And "Love In The Hot Afternoon" is (now) a classic country song. Back then, it was just....new and great.

A couple of my other favorite tracks from this album are, "For The First Time", "This Is My Year For Mexico", and "Where Love Begins".

Country Music - Marty Stuart

Released in 2003, this, to me, is Marty's greatest album. Many prefer "The Pilgrim", but for those who remember real country (see Buck Owens, above), this album is hard to beat.

Marty is a real country music historian, and songs such as, "Sundown In Nashville" remind us of songs we may never have heard, or like me, just plain forgot about.

Stellar tracks include, "Fool For Love", "Here I Am", the silly/endearing "By George", and, of course, "Farmer's Blues", with Merle Haggard. Not to mention, "A Satisfied Mind".

Trust me on this one. You won't go wrong buying this CD. And that mandolin will kill you.

Diamonds and Dirt - Rodney Crowell

This album got robbed of the CMA Album of the Year award in 1988, but what can I say, except this is a joyous album!

I played it over and over......and over and over.

From the opening track, "Crazy Baby", to the modern country classic, "I Couldn't Leave You If I Tried", to Wynn Stewart's "Above and Beyond", to the goofy "She's Crazy For Leavin'", to "It's Such a Small World", with Rosanne Cash, it's essentially good song, good song, good song. No filler here!


Elite Hotel - Emmylou Harris

Another album from 1975. 1975 must have been a pretty good year!

This was my first consciousness of Emmylou Harris. And she was in rare form here. From "'Til I Gain Control Again", written by bandmate Rodney Crowell (see above), to the classics, "Together Again" and "Sweet Dreams", to the jaunty opening track, "Amarillo", to the last track, "Wheels", written by Emmy's mentor Gram Parsons, along with Chris Hillman, this is a classic from start to finish.

This album established Emmylou as the standard bearer of true country music, so it's a no-brainer, really.

Emmy's signature album.

Savin' The Honky Tonk - Mark Chesnutt

A 2004 release that said, hey country music, remember me? Remember country music? In case you forgot, this is what country music sounds like.

Oh, just some steel guitar, some fiddles. Some two-steppin' music. Somebody who's been sadly overlooked, but who, in years to come, will be regarded as somebody who "saved" country music for those who needed savin'.

From the opening track, "Somebody Save The Honky Tonk", to Kevin Fowler's "The Lord Loves The Drinkin' Man" (Kevin did a great recording of his song, but it took Mark to get it to mainstream radio).

Let me just say, "The Lord Loves The Drinkin' Man" is the quintessential country song. I think I heard it a grand total of ONE time on terrestrial radio, in between tracks by Tim McGruff, the crime dog, and Faith Hope Charity, his crime-fighting sidekick.

Lucky for me that I caught this song the ONE TIME it was played, or I never would have found this delicious album.

Easy Come, Easy Go - George Strait
Let me just say, I own ALL of George Strait's albums, so it was hard to pick a favorite. But this release from 1993 has all the elements I look for in a good COUNTRY release.

Number one, it's got not one, but two, songs written by the genius, Jim Lauderdale ~ "Stay Out Of My Arms" and "I Wasn't Fooling Around".

Plus, it's got the old Wayne Kemp (originally recorded by Faron Young) song, "That's Where My Baby Feels At Home".

And, for good measure, it's got a rousing rendition of the George Jones chestnut, "Love Bug".

I like this one because it's one of the most "country" of the country albums that George ever released.

I give it a 95. It's got a good beat; I can dance to it (for you American Bandstand fans).

Highway 101: Greatest Hits

If, for some unknown reason, you are not familiar with Highway 101, then it's time to GET familiar with them!

Where do I begin? With "Somewhere Tonight", written by Rodney Crowell (see above)? With "Whiskey, If You Were A Woman"? With "Cry Cry Cry"? With "Honky Tonk Heart"?

Roll the dice. You can't come up a loser with any of these choices.

Paulette Carlson is the "Stevie Nicks" of country music, with the added benefit that she's COUNTRY. I'll always be a Paulette Carlson fan. Throw in Cactus Moser, Curtis Stone, and Blackjack Daniels, and you've got a combination that can't be equaled in today's market ~ and I'll match Paulette up against Jennifer Nettles any day.

This Time - Dwight Yoakam

Much like George Strait, I own ALL of Dwight Yoakam's albums. Thus, it was difficult to choose the essential Dwight.

I chose this one simply for the fact that it includes two of Dwight's best songs EVER: "Ain't That Lonely Yet" and "A Thousand Miles From Nowhere".

Not to mention the never-to-be-ignored, "Fast As You".

You can pretty much choose any Dwight CD. You can't go wrong with any of them. This one just happens to be one of my favorites.

More Great Dirt: The Best of the Nitty Gritty Dirt Band Volume 2

Yes, they did Springsteen's"Cadillac Ranch". But they also did "I've Been Lookin'" by the Dirt's own Jeff Hanna, and "Workin' Man (Nowhere To Go)", and another Hanna song, "Down That Road Tonight". Not to mention, of course, the ubiquitous "Fishin' In The Dark", a song that, let me just say, is impossible to dance to.

Chockfull of hits and timeless songs, the Dirt round out my Part One list of essential country albums.


Did I forget anyone? Of course I did.

That's why there's gotta be a Part Two.

~~~






Friday, January 16, 2009

The CMA Awards - Feelin' Fine in '89

Almost all the way through the eighties! Wow! Time flies!

I wonder what happened in 1989. Well, let's take a look.

In the world of news, the Berlin Wall came crashing down:



Remember in 1961, when JFK said this?



"Ich bin ein Berliner"......He learned it phonetically, of course.

I myself prefer this one:



But enough about world events. I've said it before, and I'll say it again. The only thing we truly remember about a certain moment in time is ~~ entertainment!

So, let's take a look at the top movies of 1989.

Remember when Tom Hanks was co-starring in a lousy sitcom? I do. "Bosom Buddies" - with Peter Scolari. Who knew? Now, Tom Hanks is a "major motion picture star". Here's a clip from when he was still starring in comedies, and hadn't yet become a serious "AC-torrrr":



And remember when Robin Williams was still funny? Here's an example of Robin Williams being funny, in "Good Morning, Vietnam"; a movie that featured a great performance by the late Bruno Kirby:



In pop music, the downturn continued. There were some good songs, but overall, pop music began to bite the dust in 1988, and 1989 was no better.

Here's one you've probably forgotten, by the Fine Young Cannibals:



Here's a much better one. A live performance by Aaron Neville (what a voice!) and a much thinner than now Linda Ronstadt, of "Don't Know Much" (introduced by Garry Shandling, with Japanese subtitles!):



With that bit of background for the year 1989, let's move on to the CMA awards, shall we?

Normally, I don't start out my posts with one of the highlights, but I don't really do anything "normally", so here's the MUSIC VIDEO OF THE YEAR and VOCAL EVENT OF THE YEAR, Hank Williams, Jr. AND Hank Williams, SENIOR! "There's A Tear In My Beer":



Digital "trickery" wasn't as advanced in 1989 as it is now, but this is still pretty good! And it kind of puts a lump in your throat, watching Hank, Jr. singing a duet with his long-departed dad. I give this video two thumbs up! Of course, I'm actually using my thumbs to type this, but the two thumbs up are implied.

The MUSICIAN OF THE YEAR award, settled by an arm-wrestling contest with Chet Atkins, was ultimately bestowed upon JOHNNY GIMBLE!

I've posted almost all of the embeddable videos available of Johnny in previous posts, but here's one I haven't posted yet. And, as an extra-added bonus, it features my hero and yours, Merle Haggard! With the Strangers! Featuring Roy Nichols and Norm Hamlet!



SONG OF THE YEAR, given to the songwriter, went to this fine song, recorded by Vern Gosdin, and written by Vern and Max D. Barnes, "Chiseled In Stone":



The ALBUM OF THE YEAR in 1989 was "Will The Circle Be Unbroken", by the Nitty Gritty Dirt Band. I love the Dirt Band, but I'll admit, I'm more partial to their country hits, a la "More Great Dirt"; songs such as, "Down That Road Tonight", "Workin' Man", et al.

"Will The Circle Be Unbroken" was one of those "concept albums", and it got a lot of press and a lot of kudos. Have you ever listened to it, though? I bought it later ~ much later, and I listened to it exactly one time. Maybe I need to listen to it again, because, let's just say, I wasn't knocked out by it.

Regardless, it won album of the year in '89, and seeing as how the Boys were on a roll, they decided to record volumes 2 and 3. This one is from #3:



I have to say, I do like this performance. So I guess I do need to dig out that CD one more time, and give it another chance. Bluegrass is a genre that had to grow on me, but once it did, I became a fan.

The SINGLE OF THE YEAR was recorded by Keith Whitley: "I'm No Stranger To The Rain":



It always makes me sad to watch clips of Keith in performance. What a shame. And what a loss.

The VOCAL DUO OF THE YEAR was, once again, The Judds.

In total, the Judds won the duo (and strangely at one point, "group") of the year award seven times! Had they not broken up, who knows? Maybe they'd still be winning! Rather than Wynonna doing commercials for Alli. You know that drug that, hey, might work, but the side affects really aren't worth it! So, I'm guessing that Wynonna is sticking pretty close to home these days.

And now that I've veered completely off track, here's "Give A Little Love""


And now to the MALE VOCALIST OF THE YEAR.

Having aced the Horizon Award the previous year, Ricky Van Shelton was victorious in 1989 in the Male Vocalist category.

Again, I enjoy RVS a lot, but I do have to repeat my previous quibble regarding all of his remakes. You know, there's a lot of starving songwriters out there, and Ricky could have thrown them a bone, and recorded a new song once in awhile. But no.

So, here's "Statue Of A Fool" (originally recorded by Jack Greene):



Okay, "Statue Of A Fool" is one of my favorite country songs, so I'm just going to forgive Ricky this one time.

The VOCAL GROUP award again was won by my favorite country group, Highway 101. I have searched, and I have searched, and believe me, there are no videos to be found on the net of the original Highway 101, except for "Who's Lonely Now", and I'm not going to post that again. I'm guessing there's some kind of legal mumbo jumbo going on; probably because the Highway has gone through a couple of lead singers since Paulette left the group. But dang! It sure would be nice to be able to watch some of those videos!

So, in lieu of any additional videos from Paulette and the guys, let's all look at the nice old-fashioned radio, as we listen to, "Whiskey, If You Were A Woman":



The FEMALE VOCALIST winner was one of the best voices in country music, Kathy Mattea. I'm glad to hear that Kathy is doing her own thing, her own way, nowadays.

This single is chronologically incorrect (it was from 1994, actually), but I find what I can find!



In 1989, the HORIZON AWARD was given to an artist who actually ended up having a career! (These things are hard to predict, and as you know, the CMA has messed up a couple of times).

If you ever ventured into a honky tonk in the late eighties/early nineties, you, of course, heard this song on the jukebox. Here's Clint Black:



Which leads us to the BIG award of the night, ENTERTAINER OF THE YEAR.

I'll just preface this by asking, whatever happened to this guy?? Man, you'd think he could've had a real career in music, had he played his cards right. Surely, you'd think he would've had an ace in the hole.

I will console myself, however, with the knowledge that he did have a couple of hit songs, and I guess he did win a couple of awards during the course of his career.

ENTERTAINER OF THE YEAR - GEORGE STRAIT



HALL OF FAME

Three folks were inducted into the Country Music Hall of Fame in 1989. I always find it interesting reading about people of whom I'm only semi-familiar. It's a real lesson in the history of country music.

Jack Stapp

Jack Stapp began his career in broadcasting by becoming program director of a radio station located within a hotel! And the station was only heard by the hotel's guests. Cool! Too bad they don't do that now. I could go for a gig like that!

From there, he moved on to much bigger and much better things ~ program director for WSM Radio in Nashville. Since WSM broadcast the Opry, Mr. Stapp also was involved with auditioning new talent for the broadcast. Thus, during his tenure at WSM, artists such as Hank Williams, Eddy Arnold, Kitty Wells, Webb Pierce, and many more, joined the Opry ranks.

From WSM, Mr. Stapp moved on to create Tree Publishing. Well, that turned into a nice little endeavor! He hired some staff writers, such as Roger Miller, Curly Putman, Bobby Braddock, and a bunch more. And the hits rollled on in....

So, there you go. A very influential pioneer in the world of country music.

Cliffie Stone

Cliffie Stone did his work far away from Nashville ~ in that other (soon-to-be) bastion of country music, California.

Mr. Stone was a musician, a comic straight man, a record producer, a personal manager, a publisher, a talent scout, an emcee, a TV personality. Whew! I'm tired just from typing all that!

Cliffie Stone worked at Capitol Records in the mid-to-late forties, both as a session player, and as a producer. Acts such as Tex Ritter and Merle Travis were recording for Capitol at that time, and in fact, Cliffie signed Merle Travis to the label.

Mr. Stone's most famous discovery was Tennessee Ernie Ford, who had begun his career as a disc jockey. Later, Mr. Stone went on to become TEF's personal manager.

It is also interesting to note that Cliffie Stone is the father of Curtis Stone, who was a founding member of my favorite country group, Highway 101! So, the apple does not fall far from the tree, or some other cliche like that.

Another true country music pioneer; Cliffie Stone.

Hank Thompson

Of course, today's country fans have no idea who Hank Thompson was.

Let me tell you, if you are a Willie Nelson fan, read the biography, "Willie Nelson - An Epic Life", and you will find just how influential Hank was to not only Willie, but to other artists of refined taste, such as Dwight Yoakam and our one and only George Strait.

Hank was a pioneer in the western swing style of music, along with Bob Wills, of course. And he had a bunch of hit songs. Here's his most famous:



Of course, Hank had other hits as well. (Oh, and by the way, Kitty Wells can thank Hank Thompson for, in essence, creating her career. See "I Didn't Know God Made Honky Tonk Angels").

All in all, though, it's really hard to compete with the lovely words of one of Hank's other hit songs; that go something like this: Ooga ooga mush-ka, which means that I love you. Ahh, were truer words ever spoken?

I am a Hank Thompson fan, and I didn't need to read his bio to come up with stuff to say about him. Maybe I'm just old, but I haven't forgotten Hank Thompson.

So, whew! We got through the eighties! And to think, it was only a short time ago (or was it?) that I started writing about the CMA awards, beginning with the very first awards in 1967.

That's a lot of ground covered! And a fun time, for me, at least.

Oh no, I'm not done yet, but it's important to mark the milestones, isn't it?

I'm looking forward to finding out what the last decade of the twentieth century holds for country music. So onwards and upwards, as the decades turn.

Thursday, January 1, 2009

The CMA Awards - Let's Hope They Were Great In '88!

Isn't it great to look back and remember all those things from, say, 21 years ago? Things that maybe we'd rather forget, but then again, who knows what we might rediscover? Maybe something good!

In the world of news in 1988, we got ourselves a new President. Remember this?



Yea, that guy did a lot of great things for us. Hmmm, let's see now. What did he do? Well, he went into Iraq, sort of, but didn't finish the job; leaving us to inherit this big mess that we found ourselves in, just a few short years later. He begot a son who single-handedly demolished the Republican Party. Oh yea, and he DID raise taxes. So, I guess our new President in 1988 hit a triple!

Which is why I prefer to talk about pop culture!

In 1988, we enjoyed this classic movie from Tim Burton. (And boy, doesn't Alec Baldwin look young here!)



Another hit movie from 1988 was "Cocktail"; a movie that I never actually saw. But I do own the soundtrack CD.

Why didn't I see it? Well, c'mon. It did star Tom Cruise.

The only reason I'm including it here is so that I can include the Beach Boys video of "Kokomo". For some reason, this song gets dissed a lot. I don't get what the vehement hate of this song is all about. It's catchy. It's the Beach Boys. I like it.



And it not only features the glorious voice of Carl Wilson singing the high parts, but also Mike Loooove "fake playing" the saxaphone!


I'm not sure what happened to pop music in 1988, but according to the top songs of the year, it took a steep nosedive.

However, here's a good one (did you forget about this one?)



Here's another pop hit from 1988. Remember Rick Astley? Of course you do! Sure, he looks like a little kid, but he does have a great voice. Although the whole disco beat thing is sort of dated - even for 1988.



So, with that bit of background information, let's move on to the 1988 CMA awards, shall we?

Probably the most amazing happening of 1988 was that Chet Atkins stepped up to again claim the prize for MUSICIAN OF THE YEAR! Sure, you (and I) thought that Chet's time in the spotlight had passed. Oh no! Chet was back! And frankly, I think the CMA should rename this award the "Chet Atkins Musician of the Year Award". I mean, really.

Here's a clip from way back in 1954, just for fun. Chet, playing "Mr. Sandman" (those red houndstooth jackets were BIG in 1954!):



VOCAL DUO OF THE YEAR was the Judds! Yes, I know that the Judds tended to waver between vocal duo and vocal group. But this time, it was vocal DUO!

Here they are, doing, "I Know Where I'm Goin'":



The SONG OF THE YEAR in 1988 was "Eighties Ladies", written (and recorded) by K.T. Oslin.



K.T. had that one big hit, in 1988, and I guess some smaller follow-up singles, but "Eighties Ladies" was her moment in the sun. As I watched this video, my thought was, "What exactly is the point?" But I'm sure there was one. Maybe I didn't get it because I was only 33 years old in 1988. But the thing is, I still don't get it. Nice song, though.

K.T. Oslin also garnered the FEMALE VOCALIST OF THE YEAR award.

Never to be heard from again. Okay, I guess that's a little harsh. Harsh, but basically true.

1988 ushered in a new award from the CMA's, VOCAL EVENT OF THE YEAR. I guess vocal event means that some people get together, who don't normally get together, and they record a song.

These gals recorded more than a SONG. They did a couple of albums, I think. And henceforth, they will be known as the TRIO.....Emmylou Harris, Dolly Parton, and Linda Ronstadt. Three superior singers. A match made in heaven, as they say.



The MALE VOCALIST OF THE YEAR in 1988 was my friend, and everybody's, Randy Travis.

Here's a nice video from 1988, "I Told You So":

<a href="http://www.joost.com/082025p/t/Randy-Travis-I-Told-You-So-(Video)">Randy Travis - I Told You So (Video)</a>

For some strange, unknown reason, the Country Music Association apparently decided NOT to name a MUSIC VIDEO OF THE YEAR in 1988.

Surely, it couldn't have been because there were no good videos! For example, what about this one?



Rodney Crowell got robbed in 1988 anyway (see ALBUM OF THE YEAR), so I'm happy to include him here. And I'm giving him my own personal MAA (Michelle Anderson Award) for 1988 Video of the Year.

Moving on to categories that were actually awarded by the CMA, the SINGLE OF THE YEAR was a good one!

Here's one of country's best voices, Kathy Mattea, with "Eighteen Wheels and a Dozen Roses":


And, hey CMA's! If you didn't like my Rodney Crowell video choice, how about Kathy Mattea's? See, I think there were a LOT of great videos in 1988. Morons.

The VOCAL GROUP OF THE YEAR happens to be one of my personal favorites, Highway 101.

I can't emphasize enough how influential Highway 101 was in the country music world of the eighties. The original members (the real band) were Cactus Moser, Curtis Stone, Jack Daniels, and, of course, Paulette Carlson. Paulette, the Stevie Nicks of country music (only better!)

There seems to be a dearth of Highway 101 videos available on the web, and this is really the only one I could find (of the original band). Chronologically, this is incorrect, since this recording is from 1989, but here's one of many good ones from Highway 101:



Paulette is originally from Minnesota, and she is just a very lovely person. I was sad when the original group disbanded.

1988's HORIZON AWARD winner was Ricky Van Shelton. Ricky is a fine singer, and he had a lot of hit songs. My one wish for Ricky, however, would have been for him to record more originals, rather than remaking so many older songs. I guess it was a managerial decision. I just don't know why. There's a lot of great songs floating around. I'm sure Ricky would have had many to choose from.

Here's "Somebody Lied" (originally recorded by Conway Twitty):



This leads us to our last two awards of the evening ~ ALBUM OF THE YEAR and, of course, the biggie, ENTERTAINER OF THE YEAR.

Both awards were won this year by none other than Hank Williams, Jr.

ALBUM OF THE YEAR - Born To Boogie


Ol' (young?) Hank was on a roll!

Here's a video of one of the tracks from the album of the year, featuring a few people you'll recognize, such as Foster & Lloyd, Ricky Van Shelton, Highway 101, The George Satellites, Vince Gill, Restless Heart, Waylon, and many, many more. Here's "Young Country":




Hall of Fame Roy Rogers

Sure, we know that Roy Rogers was a singing cowboy, and that he had a wife who was named for a guy, and he had a horse named Trigger. And he did western serials and he had poor Trigger stuffed (after Trigger died, of course).

But Roy did much more. Roy formed the Sons of the Pioneers. Take a listen here:



And I always heard that Roy Rogers was a heck of a nice guy.

Loretta Lynn

Lorett-y (sorry, I just recently watched "Coal Miner's Daughter" again) was one of the female pioneers of country music. She followed in the tradition of Kitty Wells and Patsy Cline, but her songs had a perspective all their own, because she wrote 'em. Loretta would never had had a career in country music, had it not been for the hard work and perseverance of her husband, Mooney (or Doolittle - you choose). And I'm sure that Loretta would be the first to agree.

Here's Loretta performing one of her biggest hits:



So, we bid a fond adieu to 1988. A year that saw the rise of some of our (at least my) most cherished country stars. And Hank Williams, Jr., too.