Showing posts with label loggins and messina. Show all posts
Showing posts with label loggins and messina. Show all posts

Saturday, August 12, 2017

Sharing Music


It occurred to me tonight that throughout my life, the majority of my music-listening has been solitary. It's not that I'm anti-social (though sometimes I am), but sharing music is a gamble. I like what I like, and I don't need somebody telling me, "That song sucks." Maybe it does, but maybe there's a reason I like it that you wouldn't understand. Maybe it takes me back to a special time in my life that you can't relate to, because you weren't there. I was never one to say, "Hey, listen to this," because if I loved a song and the other person didn't get it, my feelings would be hurt. Thus, my musical "sharing" happened organically.

I can say essentially that there were three periods in my life when I shared music.

1. My big brother

Okay, technically, I didn't share music with my brother. He shared with me. Honestly, if it wasn't for my big brother, I think my musical life would have been paltry -- sort of like those old dudes driving big Cadillacs, puffing on big cigars, who slip a CD into the changer to show you how "hip" they are -- and the CD is by John Mayer.

Before I even knew what music was, my big brother pointed at the big radio in our kitchen and schooled me in good music and bad. I was little more than five years old.

The first song he taught me was "good" was by a group called the Tornados. I believe the year was 1962.


Technology, as people naively called it then, was the next big thing. I didn't know that Telstar was a satellite. I thought it was some kind of rocket ship. My big brother was a teenager, so phenomenons like John Glenn going 'round and 'round the earth was a revelation. I watched Glenn's blast-off (or whatever they called it) on a tiny black and white TV in my first-grade classroom and I didn't see what all the fuss was about. I guess one needed to be older and more mature, like my fifteen-year-old brother, to truly grasp the magnitude of the event.

My big brother introduced me to Bob Dylan, who he told me was really Robert Zimmerman, from Hibbing, Minnesota. I was confused why Robert Zimmerman wanted to change his name, but I was proud that he was from Minnesota, just like me. My brother chuckled over this song. I figured it was because it was so ragtime. 


The thing my brother did that sent me flying toward the rest of my life was to clue me in to albums. I was a singles girl -- I rarely could gather enough spare change to purchase one measly '45 at Poplar's Music, and at that, my indecision was excruciating. It was a monumental choice; one that my whole life depended on. If I chose wrong, my existence would be ruined. My big brother, on the other hand, slipped albums 'neath his coat like he'd just popped a stick of Black Jack chewing gum between his gums. 

My big brother showed me a brown and white LP called "The Beatles Second Album". I thought the Beatles were awesome and such good songwriters -- with songs like this:


Granted, it was 1964 and I had no knowledge of musical history. Thus, I naturally assumed the songs on the album were all originals.

Later, my brother would show me LP's like "Help!" and "Rubber Soul". By then I was gone -- besotted -- immersed. 

If I have anyone to thank for my lot in life, and I surely do, it was MY BIG BROTHER.

2. My grade school best friend

The early sixties was a time that was innocent in its naivete. What did we know at age ten? We thought the whole wide world rained exquisite songs. And it did, then. Superb singles were as abundant as the lacy snowflakes we caught on our tongues. 

We were so jaded then. "This song is great, but I can't wait for the next one." "Yea, the Beach Boys. They're so nineteen-sixty-three." My best friend, Cathy, and I, traversed the Louis Murray Bridge on sultry summer Saturdays to partake in the YWCA dances, which consisted of twenty-six gangly fifth-grade girls doing the Jerk to singles buzzed on a record player, like:


3. Alice

Alice and I dragged Main Street in 1973 in her mud-brown Chrysler.  Alice was the best friend I didn't deserve to have. If she were still living, I'd think about asking her what she ever saw in me. I brought nothing of import to the table. Perhaps I had a good sense of humor and she appreciated that. Other than that, I got nothin'. 

In 1973, we were about to turn eighteen -- the magic number. Life was a soon-to-be-devoured feast we'd yet to conjure. We shared the music blaring out of the tinny AM car radio, the wide-open windows tossing our hair in the breeze. The nights were starry and still. Country fanatics that we were, it's strange that we had the radio tuned to KFYR, the local rock station. I think maybe rock was more apropos for the timbre of the times, more befitting the nights.

There are songs from then, from 1973, that remind me of those nights. Here are the ones I remember most because they were played the most:










All that aside, there were two songs -- two songs -- that crystallized 1973 for Alice and me. Here is the first:


And here is our anthem. 

We sang along with it, over and over and over. We were in love with it. The stars, the blade-sharp black sky. The hot, yet cool, arm-tingling promise of the night. If I close my eyes I can see Alice now, gliding the car down the double-strip street, her blue eyes sparkling with a giggle, her blonde bangs fluttering in her eyes . We sang bad harmony -- she was the singer; I was the pretender. We sang at the top of our lungs; sang at the sleepy denizens whose misfortune it was to dwell in second-story apartments above Conlin's Furniture Store, in apartments in the top stories of the old Patterson Hotel.

We sang along with:



Music alone is fine. I can conjure my own memories. The trouble with that is, nobody else knows. And sometimes I get weary of no one else knowing; of pretending that that one special person is in the room with me as the song unwinds, but they're not.

If you find that special song, life is superb if someone else knows it's special, too.








Saturday, August 2, 2008

A Fond Look At Duets

One doesn't hear too many duets anymore. I guess it goes in cycles. There was a time when duets were, apparently, the thing to do. Especially in the sixties. People were always pairing up, sometimes with one duet partner for awhile; then they'd switch to a new one.

For example, in country music, Loretta Lynn started her duet career recording with Ernest Tubb. Then she later joined up with Conway Twitty and became quite successful. Even Porter Wagoner didn't start out with Dolly Parton. His previous duet partner was Norma Jean. And, of course, Dolly later went on to record some hits with Kenny Rogers.

In pop music, people seemed to stick together more. There were, of course, Sonny & Cher. But also Marvin Gaye & Tammi Terrell. The Everly Brothers (duh). Sam & Dave. You get the picture.

This gal started out singing with dear old dad, but she later had a lot of success teaming up with Lee Hazelwood.

Here's NANCY SINATRA & LEE HAZELWOOD: JACKSON


Of course, that's all well and good, for camp's sake, but here's the original:

JOHNNY CASH and JUNE CARTER - JACKSON


Speaking of MARVIN GAYE and TAMMI TERRELL, here's:

AIN'T NO MOUNTAIN HIGH ENOUGH

Marvin Gaye was cool.

Well, you gotta include Sonny and Cher, but I just can't watch "I Got You Babe" another time. So, here's a song of theirs that I always liked:
SONNY and CHER - BABY DON'T GO


I
know I've mentioned this in the past, but one reason I love watching these old videos from the sixties is because they usually include cheesy dancing. And, you know, let's face it, the jerk was not compatible with a lot of songs. You can't just dance the jerk to every song - especially a ballad. I don't know why they tried. But they did.


I do want to throw in some not-so-obvious selections, and this is a cool one, from the eighties.

Who could ever forget those memorable lines, "What have I.....what have I......what have I......"

PET SHOP BOYS and DUSTY SPRINGFIELD - WHAT HAVE I DONE TO DESERVE THIS

And, like Marvin Gaye, Dusty Springfield was cool, too.


Speaking of legends, here's:

GEORGE JONES and TAMMY WYNETTE - GOLDEN RING/ONE/THEY'RE PLAYING OUR SONG


I'm so excited that I found this one: Barbara Mandrell also had a duet partner in her early days, and it was David Houston. I love this song:
DAVID HOUSTON and BARBARA MANDRELL - AFTER CLOSIN' TIME

She was so cute, wasn't she?


Oh, let's just get it over with and watch this one. Thanks, Barry Gibb. I think every time I turned on the radio in 1978, I heard this song. And then I'd get it stuck in my head.
KENNY ROGERS and DOLLY PARTON - ISLANDS IN THE STREAM


Earlier, of course, Dolly had another duet partner. Here's one I like:

PORTER WAGONER and DOLLY PARTON - THE LAST THING ON MY MIND

I don't want to intimate that the only country duets were done in the sixties and seventies. They went on as long as the 1980's! (Okay, yea, I know about Brooks & Dunn and Sugar & Spice, or whatever the heck the rest of them are called). I like Brooks & Dunn. I'll try to find some videos, but I'll betcha they're not embeddable - how much you wanna bet?

Anyway, here's a duo that I just happen to love. And this is one of my favorite songs of theirs:

FOSTER and LLOYD - TEXAS IN 1880

FIVE STARS on this one!


And while we're on the topic of my favorite artists, here's two for the price of one!

DWIGHT YOAKAM and BUCK OWENS - STREETS OF BAKERSFIELD


Before we leave country (for now), let's listen to my favorite Conway & Loretta duet:

CONWAY TWITTY and LORETTA LYNN - AFTER THE FIRE IS GONE


Okay, that concludes our country segment for now. Now on to "Midnight Special". Remember that show? It was on Friday nights, late, and I'd happen to catch it just as I was coming home from my late-night drinking.......I mean, bible study.

Of course, Kenny Loggins went on to a great career in movie soundtracks. I don't know exactly what Jim Messina went on to, but here's a good one:
LOGGINS and MESSINA - YOUR MAMA DON'T DANCE

Yikes, this was from 1973? Man, that's old! Hey, wait a minute - I graduated in 1973! Man, I'M old!


Even older, here are Seals and Crofts, from 1972:

SEALS and CROFTS - SUMMER BREEZE

I do want to know, however, how they managed to get jasmine in their minds. Cuz that's kind of strange. I mean, I don't have lilac bushes in my mind (I don't think).


Older still, although the video is newer:
SIMON and GARFUNKEL - MRS. ROBINSON

I had to include this, since I watched "The Graduate" again a couple of weeks ago on Free In Demand movies. I love watching old movies (old, meaning, from the '60's). Then I watched "Rain Man" last week, because I hadn't seen it for awhile, and I wanted to compare Dustin Hoffman's performance in that movie to the earlier one. "Rain Man" is a really good movie! I really dislike Tom Cruise, but Hoffman was great in that.

This is really off-topic, but there is a song in the movie, "Rain Man" that I just love. It's called, "Beyond The Blue Horizon", and I had to watch the end credits to find out who sang it. Surprisingly, it was Lou Christie. The falsetto man himself! I downloaded the song from Amazon, because I am just so taken with the song. I've completely gained a new respect for Lou Christie.


I guess I'll close out this post with just one more song. I think this topic deserves to be continued, don't you? So, I'll pick up on it in another post.

Well, I really love the Everly Brothers. It all goes back to, "Bye Bye Love" and me performing that song as part of a trio, when I was just nine'ish.

But aside from that, this is a lovely song, and a good way to end this chapter.
THE EVERLY BROTHERS - CRYIN' IN THE RAIN