Wednesday, November 17, 2021

Jay Black ~ Jay And The Americans

 

I was eight years old in 1963, too young and poor to buy my own records, but I had a nine years older brother who managed to buy every album and single that was hot. Plus my brother seized the kitchen radio and tuned the dial to the local rock (okay, pop) channel. Without him, left to the devices of my mother, I guess my earliest musical memories would have consisted of Perry Como and Eydie Gorme.

I was thus fascinated by Jay and the Americans, because this Jay did not have a rock 'n roll voice -- at all. To my young mind, he sounded exactly like what an opera singer would sound like. And in fact, he did. I was at the age when everything is fascinating or supremely important; when a kid needs to suss out what the heck is going on. And this guy just didn't fit in with the likes of the Beach Boys or the Four Seasons. This "Jay American" really belted it out!

 

"Jay's" actual name was David Blatt, and he took over for the original Jay (whose real name was Jay) in 1962, and that's when the group took off.

It wasn't all about seismic vocals, however. In 1964, the same year that Come A Little Bit Closer was a hit, Jay and the Americans also released this:

 

As rock (or pop) came into its own with guys who most certainly didn't sing like New Jay, the group continued to chart well into at least 1968, but they frankly sounded out of touch.

The group's last real hit came that year with a cover of the Drifters' song:

(Sorry, only performance video I could find)

They say that "Jay" maintained those powerful vocals well into advanced age, and yes, he did:

 
From starting out as a curiosity that eight-year-old me was compelled to ponder to a phenomenal vocal talent that little kids fail to recognize, David Blatt's was a rare, powerful voice.
 
David (Jay Black) Blatt passed away on October 22, 2021 at the age of 82.
 
Rest in peace, Jay.
 
 


Monday, November 15, 2021

Retro Movie Review - I Walk The Line


The Peacock app doesn't offer a lot of selections. I've watched the entire eleven-season run of Modern Family, rewatched all episodes of The Office, rewatched Downton Abbey, and even labored through Everybody Loves Raymond's full nine seasons. So now, unless I want to view corny seventies sitcoms, I'm left to pick through Peacock's paltry movie options.

Which brings me to I Walk The Line. I saw it before, but didn't pay much attention to it, other than to critique Joaquin Phoenix's musical portrayal. I am now watching it again, and about halfway through I've reached the conclusion that I really don't like this Johnny Cash.

I know that biopics are not real life. Mooney Lynn looked nothing like the young Tommy Lee Jones. I also know that Johnny and June's son John Carter Cash was an executive producer of the film, but it seems that he advocated for a false narrative of his parents' long relationship. For example, much as the movie strives to portray Johnny's first wife Vivian as an unsupportive spouse, resentful of his burgeoning career, I found her character to be one of the few sympathetic portrayals in the film. 

And much as Reese Witherspoon's June is an absolute angel, the truth is it was she who pursued a married Johnny, not the other way around. Again, however, John Carter certainly didn't want to besmirch his mother's memory.

Aside from glaring chronological errors (I'm not even a Cash fan, but even I know when certain songs were recorded), the portrayal of Jerry Lee Lewis is...odd. No one can seem to capture the real Jerry Lee; not even Dennis Quaid, who embodied a spastic, endlessly mugging Lewis in Great Balls Of Fire. Someday maybe a decent film will be made about this seminal artist. Carl Perkins, at least, is represented as the reportedly decent man he actually was, albeit one who has a fondness for blowing things up. And the film seemingly just pulled some dark-haired stranger off the street to play Elvis, who possessed zero charisma (in the film) and was a pale pretender next to the great J.R. Cash.

If the real Johnny Cash was as much of a jerk as the movie depicts him, those hipsters who cite him as their favorite "country artist" might want to rethink their heroes.

As fiction, I do give the movie a B minus. The lead actors do a good job in what amounts to a country music soap opera. But again, I don't have a lot of movie choices.



Sunday, November 14, 2021

Where've I Been?


I used to be so fastidious about updating my blog. Now I realize my last post was on October 3. So, where've I been?

I've taken a lot of winding roads. I started a new novel that I realize I don't care about, I started a podcast that no one listens to, and mostly I've been making playlists on Spotify. It started innocently enough -- my podcast was going to feature a particular year, so I began compiling hit songs from each of those years. Then when I realized (finally) that no one cared, I started making playlists for myself.

Here is mine for nineties country:

It's really good, if I say so myself. And quite comprehensive -- 215 songs, 12 hours and 19 minutes of really good.

Of course, I couldn't stop there, so I created a playlist for the eighties:

 

Then the seventies:

 

And who could forget the sixties?

 

What the heck? The fifties weren't my time, but I was familiar with several fifties hits, so dang, why not?

 

 

Where does it end? Well, I can't do the 2000's, because it would be a paltry list of maybe twenty five songs. Sorry, I gave up on country the first time I heard "Breathe" on the radio and realized everything had gone to hell.

You may think this was a needless exercise -- the ultimate time-waster -- but believe me, it wasn't easy! I don't have much to be proud of, but at least I can say I created better country playlists than 99.9% of all the Spotify users who created country playlists.

So, you see, I haven't been wasting my time after all. 


P.S. I'm coming back to my blog full force.

 

 


Sunday, October 3, 2021

Caffeine


Just say no to drugs -- unless the drug is caffeine.

My handy Mister Coffee slowly died over the last couple of days. I didn't want to believe it was true. After all, it dripped approximately a tablespoon of tepid coffee into the decanter after about an hour. I tried smacking it, unplugging it, repeatedly punching the "brew" button on and off, but I finally had to accept the sad fact that Mister Coffee had passed away. 

Thus, I was marooned on a sad island bereft of sweet, sweet mocha beans. I thought I could fight through it. I had some Diet Dr. Pepper in the fridge, so I guzzled a couple cans, but my surly disposition told me Diet Dr. Pepper was a woeful substitute for the real stuff. (How much caffeine is contained inside a twelve-ounce can of soda, really?)

I finally had to admit the truth -- I am an addict. A caffeine addict. 

Step 1 -- I admit I am powerless over caffeine. My life has become unmanageable.

I need go no further than Step 1. 

Being without (currently) a mode of transportation, I scraped Amazon for coffee makers I could afford, and most importantly, one that could be delivered TODAY. Nobody could guarantee same-day delivery, so I went to the Target site and paid an extra ten dollars just to get a sleek carafe deposited on my doorstep. 

And I got it! Same-day delivery is phenomenal!

So, when I awake in the morning, if the heavens align, I will have a steaming cup awaiting me. 

And life will once again make sense.

Everybody's got their vices. Everybody. 

This is one that doesn't hurt anybody. Except perhaps my pocketbook. 

But I can live with that.

Tuesday, August 24, 2021

2021 Country Music Hall Of Fame Inductees ~ Part Three

 


Watch this:


And this:

No, Don Rich wasn't inducted into the Country Music Hall Of Fame in the Non-Performer, Songwriter, and Recording and/or Touring Musician category (again). That anti-Bakersfield bias lives strong within the mysterious HOF voters. But is there any other sideman more famous than Don Rich? (answer: no) But of course, Don Rich died in 1974, so those mysterious voters no doubt assume that everyone's forgotten him.

So, we have a tie this year: Pete Drake and Eddie Bayers. Funny how the HOF can sometimes induct more than just a single artist.

Before Lloyd Green came along, Pete Drake was the most famous studio steel guitar player in country music. He played on hits such as Rose Garden, Behind Closed Doors, and Stand By Your Man, among innumerable other tracks, hits and non-hits. His fingers must have gotten awfully sore. 

Drake passed away in 1988, which means Jerry Lee Lewis only has about thirty-three years (at age one hundred and eighteen) until, he, too, gets honored.

I almost didn't include Pete Drake's more creepy side, but any summation of his career would be incomplete without his infamous "talk box". Of course I was a kid when I first heard this on the radio, and it was the stuff of nightmares. Nice little novelty, though, I guess. 


Regardless, Pete Drake deserves his due.

Eddie Bayers, on the other hand, has no creepy proclivities that I'm aware of. Eddie has played on tracks by artists ranging from Tanya Tucker to Reba to Garth to George Strait. He also was a member of the Notorious Cherry Bombs, and played on tracks such as this:


On the plus side, at least Eddie is still alive to enjoy the honor.

Studio musicians, like Hargus (Pig) Robbins (2012) and Lloyd Green (not yet!) absolutely deserve any accolade bestowed upon them. So many of the tracks we love and cherish wouldn't be the tracks we love and cherish without these musicians' contributions. 

Still mad about Don Rich, though.



2021 Country Music Hall Of Fame Inductees ~ Part Two

 

In order to be eligible for the Country Music Hall Of Fame's veteran's category, an artist must have reached national prominence at least forty years prior.

That list of performers thus include artists such as Tanya Tucker, Lynn Anderson, JERRY LEE LEWIS, among others.

So, what did the mysterious HOF members do? They inducted R&B star Ray Charles.

Ray Charles recorded one ostensibly country album in 1962, Modern Sounds In Country And Western Music (first clue that someone is not country: call it country and western).

I was seven years old in 1962 and I do remember hearing a couple of the tracks from the album on the radio:

Even at seven I knew this wasn't country. The second track is how country would sound if Andy Williams tried to sing country (Andy would, no doubt, add the "and western" to his track label). The first track is fine as an R&B version of Don Gibson's country song.

So eighty-five-year-old Jerry Lee Lewis, who devoted years and years to actual country music, can smile down from heaven when he is finally inducted into the hall of fame. Maybe Faron Young who, too, only got inducted after he died, can join him in his celebration.

Ray Charles was a great artist. He just wasn't a country artist. So why was he inducted into the HOF, bypassing actual deserving country stars? 

The Hall Of Fame needs to widen its induction process. Why only one artist in each of the three categories per year? Come on. If they're going to be politically correct, fine, I guess. But how about three in each category? Even then they wouldn't be able to keep up.

Yes, Jerry Lee Lewis deserved this. He absolutely deserved this. 

I've pretty much washed my hands of this "organization".

2021 Country Music Hall Of Fame Inductees - Part 1

 

 

I admit, I was a year off. That's not bad, though. I had no hope nor expectation that Marty Stuart would be inducted in the Modern Era category in 2020. I simply felt it was The Judds' time.

I readily admit I completely missed The Judds' rise. I'd abandoned country music for about a decade, which was completely country music's fault; not mine. And nineteen eighties pop was really, really good; I don't care who wants to argue the point -- while country music was putrid. Sure, I missed country's renaissance, but how was I to know country that would suddenly heal itself? I'd chalked it up as a lost cause, after too many Sylvia and Billy Crash Craddock singles. 

I sure didn't know about this:


Or this:


Or this:


In fact, I missed the best of The Judds. I did keep up with them via People Magazine, though. Constant drama is a catalyst for bad, and The Judds were nothing if not drama. I scrolled through the articles about Wynonna's marriages and Naomi's and Wynonna's squabbles. They became tabloid fodder and diminished the talent that they were. But living in the spotlight probably changes a person; makes them keen to their public image. 

By the time I learned to appreciate The Judds they were almost over. Their hit-making days didn't last long, basically from 1984 to 1991, but they did score fourteen number ones in only eight years.

A few of their better recordings:

To be eligible for the modern era category, at least twenty but not more than forty years, must have passed since the artist reached national prominence. What this means is that The Judds beat out the obviously most deserving candidate, Dwight Yoakam. The Country Music Hall Of Fame and Nashville in general has long had a bias against Bakersfield artists (Merle Haggard simply could not be ignored), so it will be interesting to witness the HOF twists themselves into knots in the future to NOT induct Dwight.

I rarely agree with the Hall Of Fame choices, but I don't begrudge The Judds. They simply could no longer be ignored by whoever the mysterious HOF voters are. I will say, however, that three superior recordings do not necessarily elevate an artist to hall of fame status. But no one can deny that they left their imprint on country music.